Doucai “Jade Horse Treading the Waves” Bowl

The Ming Chenghua doucai “Jade Horse Treading the Waves” bowl is robustly proportioned, its exterior depicting a jade horse galloping amid surging waves and auspicious clouds. Underglaze-blue outlines define the design, while polychrome enamels bring the motifs to life in a harmonious, softly lustrous palette. The base bears the six-character reign mark “大明成化年制” within double concentric circles. The refined enamels and elegant decorative execution exemplify the celebrated artistry of Chenghua-period imperial doucai porcelain.

Artifact Details

Measurements
Bowl
H 6.4cmMD 19.1cmFD 12.3cm
Kiln
Imperial Kiln
Material
Doucai
Condition
Excellent

The bowl is full-bodied and robustly proportioned, with a subtly inward-curving rim and gently rounded sides. Its balanced, stable profile conveys the quiet elegance characteristic of Chenghua-period scholar’s wares, representing a classic form within the refined repertoire of the period.

The underglaze-blue outlines are rendered with exceptional delicacy and fluidity, while the overglaze enamels are precisely applied within the drawn contours. The yellow is warm and softly lustrous, the green restrained and composed, and the red rich and finely saturated, avoiding any excessive brilliance. The jade horse is depicted with an archaic yet expressive character, while the layered waves of the sea and curling auspicious clouds are articulated with clarity and rhythm. The balanced distribution of motifs creates a harmonious interplay of density and open space, exemplifying the refined decorative aesthetic of Chenghua-period doucai.

The base bears the classic six-character Chenghua imperial kiln mark, “大明成化年製” (Da Ming Chenghua Nian Zhi), arranged in two vertical columns within double concentric circles and executed in regular script (kaishu). The characters are rounded and full-bodied, with soft, restrained brushwork and gently controlled strokes, avoiding sharp terminals or abrupt turns. The cobalt-blue pigment is subdued and elegant, while the double circular borders are finely and evenly drawn, with naturally joined ends. The inscription exemplifies the standard mark format characteristic of Chenghua-period imperial porcelain.